When I was reading Ragtime by E. L. Doctorow, I just kept thinking back to one particular character: Mother. She develops more over the course of the novel than almost any other character. The first time we see her, she is a generic white middle class mother. She does not have much of a character at that point, but is instead a representation of what one might typically find in America in 1904. She is, at that point, still very connected to Father's views, which as we see later in the book, are out-dated and slightly ignorant. Father, throughout the book, continues to be a representation of how mainstream views, and, thus, Mother's views, used to be. When Father leaves for the Peary expedition, however, things start to change with Mother. The first major event is when Mother agrees to take in Sarah and Sarah's child. This was a reflexive decision, possibly even rash given the short time it happened in. However, it is the first indication that she has more depth of character and thought than previously indicated.
When Father returns from the North Pole, he is startled to see Sarah and Sarah's child in the house. He would not have agreed to take them in himself, but Mother had made the decision in his absence. He also is surprised to see that Mother had been reading pamphlets from Emma Goldman, a socialist leader. This is evidence that Mother has begun to think for herself even more. She is developing an individual political conscience, as well as control over the household. Mother and Father's relationship deteriorates somewhat over time, and they seem to disagree on a few things, including their opinions on Coalhouse Walker and his story. These opinion differences are not emphasized, but there are small moments we see them appear, especially when Mother calms down Father when he gets upset about Coalhouse several times. A year after Father's death, Mother marries Tateh, a previously socialist immigrant who has re-made himself as a figure in the film industry. Tateh is in many ways hugely different from Father. He was relatively poor until he recently brought himself up through the system, and he thinks progressively, even ahead of his time. Father, on the other hand, was always middle class, and was stuck in the mindset of ten or twenty years prior. Mother's relationship with each of them is different too, but I won't get into that here.
In some ways, Mother is a representation of the arc of mainstream thinking in the early 20th century. She originally was stuck in the old ways and did not seem to think much for herself. In the middle, she rebels against that system and tries to find her voice, first by turning to Emma Goldman for guidance. By the end of the novel, Mother has changed and looks progressively to the future, even moving to California to re-start her life. Society as a whole also holds a tale of breaking from ignorant conformity to begin forming new ideas and questioning old ideas. Even the socialist pamphlets have a place, serving as a way of testing new ways of thinking before settling into the new mindset. Mother's development is a small piece of the narrative of society in the 1900s-1910s, as well as the way society continues to cycle and evolve over time. This is supported by Mother's identity-less name as well, which gives the idea of Mother being one in many cases of this same story.
I agree that that Mother develops the most as a character in the novel. As for Father I also agree that he doesn't change throughout the novel and Doctorow uses that to show how other characters progress. Another thing to remember about Mother is that while Father was gone, she took over the business and was very successful.
ReplyDeleteYes! Mother could very well have been used to show a cultural shift of the time. It's interesting to think about one of the first lines of the book, "There were no Negroes. There were no immigrants." By the end of the book, Mother is holding a black child, and married to an immigrant. Her transformation away from father, and although she does make assumptions about Coalhouse affecting his wealth on others, show a cultural shift of the time period. Thought provoking post!
ReplyDeleteI totally agree! I think that Mother is representative of the greater shift in American society during the 1900s-1910s, moving from the Victorian era into the industrial. We discussed how many of the tropes used in the family's section of the novel, such as the baby on the doorstep, are classically Victorian; by the end, the family is entrenched in modern ideas of a new family and a uniquely industrial version of the American dream. I think the death of Father is also critical in this transformation; when Father, who hasn't been participatory in the process (refusing to accept Coalhouse and Sarah, for example) is gone, Mother can move on and truly enter the new era.
ReplyDeleteI definitely agree, Mother does seem to represent a shift in political consciousness. I wonder, what time period does she represent though? What makes it specifically the 1910s rather than the shifts in views that happen in say the 60s. Is this trusting Doctorow and assuming this must be popular sentiment because it is how he portrays it? Or is he talk more of his time in the late 60s and early 70s? Well written.
ReplyDeleteI absolutely agree that Mother is representative of the change in society and that Father is quite the opposite. I'm weary of using the concept of Social Darwinism but I do believe Doctorow is using an element of "change or die" in the story with those who seemingly do not "fit" with the times. I do think it is incredibly ironic that Father, who makes a more than modest living off of American patriotism, ultimately dies while trying to support said patriotism. It is an apt ending for a man struggling to find his place in early 1900's society.
ReplyDeleteGreat job! I really think that Ragtime as a novel is the story of Mother's progression from a subordinate housewife to a proud, skilled, self-able (is that a word?) Mother. I wouldn't be surprised if she got a job following her marriage to Tateh and actually became self-supporting.
ReplyDelete